counterphobe: (Default)
wanting to write about my day while I'm still in it for once and while it's still not worn off into another state (I want to keep THIS mood in my rotation like a baggy tee)

A couple of facts about this week with varying levels of relevancy-- it's my second to last bit of Summer Class before Real Class, I've been driving on my own enough that my parents don't clutch the handle when I'm at the wheel, and yesterday my best friend in the world texted me as she was doing laundry and said: you should just come over. So I did! I took to her address up and up the long hill into her steep driveway (foot nearly bottoming out on the gas pedal). It was my second time at her house since she moved and from the wheel on park music still playing I was on the phone with her making sure I was in the right place. She looked out of her first-story window a little above level my driver's side, I rolled down mine; then, a smile across her face so wide and immediate it became a fact before an action-- I felt that happy to see her.

I entered through the backdoor past her bike collapsed on its side; she reintroduced me to her room and I laughed at her desk (Hesse Hesse Hesse, a portrait of a saint, incense of a Chinese variety, a gram scale) before we went out to her backyard and smoked. Her mom had left the house under her guardianship for the week but it wasn't rightfully hers and with her snubs of hand-rolled cigarettes and joints and the soft puttering of a lawnmower somewhere I was aware we were both still occupying the space of not-adult, pretending-to-be-adult, nineteen yet twenty. All of this is secondary: we walked around the house after that but I don't remember it, following after her and what were we saying, her cat padding figure eights rounding our feet a happy little motor. Last time we hung out was late June. We spent ten hours together, just taking more gummies when we got the munchies so we stayed high the whole day--we trekked miles out to the downtown and back, having retrieved snacks that did not nearly require a bus. That night was the best I had slept since before finals season. Yesterday she had work in the evening and I had to give time to get home anyway. Near the end we exchanged hands my cash passing for shrooms, the gram scale winking in the sideways glare from her window at her desk: a pocket mirror a square disc metal a glossy ease a finish of dust. I would have swiped off my thumb and licked.

Today, since tomorrow is Friday meaning no class, meaning my body could take the body load of it, I got home from the university, ate, and took 2g of shrooms at promptly 12pm. I started a timer. Especially alone, the waiting phase feels endless and doubtful. Most recently I had been at a concert with two others and we were hardly unique in our daring. I remember the high then, as starting soon after the opener left, I realized the inward euphoria from the music and movement was pushing outwards with too much force to be regular. This time there was no such measure; my first time doing shrooms alone (besides a microdose--lemon tek of 0.7g leftover in the middle of the night, stabbing at my phone so excitably). It was also unique in the sense that the onset was not allowed to be organically experienced, otherwise I suspect I would have felt the same as I always do--the itchiness brightening the marrow of my bones, fascination at my own skin stretched over the backs of my wiry hands. Instead, I had been laying on my side on my mattress and watching the clock tick by the half hours-- I'd just begun to feel the first hints of it in the soreness of my jaw and muscle weakness gathering in a forceful, nearly nauseating desire to laugh-- when my mom called up the stairs. I thought she wanted to me to go to lunch, although I had already prepared myself something to eat so I could avoid this situation, and was prepared, then, to tell her I would have to meet her later: she sidestepped those concerns entirely and told me I was going to the dentist.

In retrospect, I should've known better. I do recall, days or weeks ago, my dad telling me that before I went back to college for the semester, some date in August. And there were many ways I could've avoided it on the way: I'd planned a hike to play out my peak today before scattered thunderstorms on the forecast scared me away but had I asked I would have heard the reason why not. Instead. Instead, I cautiously agreed and accepted my fate. This is the sort of thing that sounds like it belongs in retrospect, as I am telling it now, and as I had imagined telling it, here and there, as the hours progressed. Should the concepts clash so deliberately to provoke foreboding. But I am internally without grounding for this reference. I felt it out, asked what should I do, but I knew there was already only one thing To do, to see it through.

I've never been afraid of the dentist or understood it as the opposite pole of joy (on a scale from day at the amusement park to a trip to the...). Shrooms themselves also haven't had an adverse effect on me; just a minor fainting spell that could've been a head rush. In the hour before I had to leave, I tried to wrestle back the overgrowth of the effects beginning to metastasize--or what is it called, infected blood? That makes it sound worse than it was, but how else can I explain the fever-warm, sickly sweetness of the syrupy heat ratcheting up. I already knew it was a futile practice but like any practice an effort for the sake of effort and because it was fun.

I listened to music in my IEMs and turned it down when it got too loud. I thought it would be easy to make a newborn overwhelmed and I should be the same kind way in this fresh skin. In and out of with varying volume. I remembered what someone said--music at a low volume revealing its particulars--and found it to be true. Even though I'd only ever listened to music low to intentionally lose its particulars I'd never found that angle to be very effective. Like for sleep, always distracted by the sudden stark throughlines of a song I'd never thought twice about before. A birds-eye examination of the ballroom scene with none of the vertigo. Then, increasing, coming closer and closer to the people dancing and eventually vibrations of strings being plucked by the roughened fingertips. I was playing updownupdown gaping at the ceiling when my mom walked in my room. I thought you said we were leaving at 2. It's 1:50. Okay, I was just listening to music. Ok, I know. Ok. Ok. Bye. I pulled on socks slowly from the still drying laundry and tried three different pairs before I realized they'd all feel wet at the cuffs of no fault of their own.

I wriggled out of driving duty. I thought about putting in my earbuds and going away from the world again, but partially out of curiosity to see if surrounded music from the car would thrum a different sound and partially because I did want to be in the world just then, I connected to the aux instead. I hadn't shared music with my mom like that since I left home. Played her a song I liked, song I stumbled upon around Seattle; on the highway with one hand she held mine over the divider--this too was a secondary new. In high school she taught where I attended and near the end her grip waxed and waned with the sporadic intensity of restless restraint. What was she holding onto now, I wondered, that I had already left and returned a different son, who could no longer perceive her trust, nor the constriction from her lack of it. I do not like being caught on the edges of silence with my mom, who at any moment could burst out laughing or crying or refuse to address the elephant that is her inclination to do so. I put on a different song, that my friend wrote, that my mom liked, that took us off the highway and into the office park. We parked at 2:25--perfect for the 2:30 appointment. We both said so ("just on time") and it felt so rehearsed. So nice I could hardly let myself believe it. I walked in and back to the left side, laid myself down.

As I was prepared for the xray I looked down at myself extending beyond the heavy mat over my chest. My bare calves seemed to warp, the clock distended; I was beginning to feel a little afraid again. Nothing yet, but the risk of coming to face a sensation I would not be able to handle. I needed to keep my mouth open for thirty minutes and without bile. I willed away the visuals reluctantly and as best as I could, by which I mean kept my eyes moving and my hands busy in the meanwhile, turning my earbuds from noise cancellation to the transparency mode so I could hear BITE SPIT RINSE at the same time as my security blanket of background noise. As expected, the actual thirty-minutes of appointment were hardly worth noting, appointment of appointments. But I did notice smaller shades of the process I had let myself by before. My memories made the yellow beam of rounded rectangular light above me wide enough to encompass nearly my entire field of my vision. Faces were obscured and hands mostly felt. The temporary assistant (who spoke to me, and was not hands) always integrated into my recollections with more prominence than the dentist himself. Now I saw the block of light the stomping undersole of a mechanical arm whose transparent edges off-white with disuse strained like a retina. I tried to focus on the dentist, the same man who's been sending me home with/out cavities since I was a single-digit, and noticed the obscured wrinkle in his brow.

I considered what made me uncomfortable about going to the dentist; I never hated it like needles or public speaking, but to be frank it was still no trip to the amusement park. It wouldn't have been the pain, that I could withstand, taken as temporary and towards a purpose, even if I didn't ever fully get it. (Pain didn't have to make sense, only to be, like all punishments, delivered with appropriate celerity, severity, and certainty. The institution of bad teeth.) What I hadn't liked as a kid had been the goop. I hated letting it touch my tongue, I hated that I couldn't wash my mouth out after or swallow without feeling like I'd get dosed up on some food-dye-fluoride-mix. There was somehow no goop this time (my first appointment without goop???) but the flavored scrubbing remained. As the dentist scrubbed at the seam of my lower teeth, I felt my bottom lip flatten in an attempt to escape the rotating nub of the tool. I imagined I could pout my lip and amend the issue somewhat right then; I thought about why I didn't want to do that. Mostly because it wasn't really an issue and wouldn't have made a difference. The tool, rotating and chasing my teeth, would impart its presence. The seizing in my chest then was similar to the climax of films from my high school Spanish class. My teacher loved action and there was always a moment where the fool would beg for their life, I hated that word, please. The conceit alone made me wince but the real tragedy was when the killing factor was not indifferent but an amused specter lending the victim a feint of choice and taking it away. My breath clenched in time with each of their desperate and pathetic grasps. How was this similar? Not with such stakes. I knew it was only resonant because I was not in my right mind and hadn't been for around half a year. It came around to what it's always been about--pacing. (Secondary: discernment.)

The other day, I was talking to a friend about what we like to write. I am nineteen and love love. I especially love the unconscious aspects of love and desire (what Freudian concepts I know nothing about: life and death drives). So minor happenings produce insane significance. I'm surely not imagining this. I just mean the flinching from contact with the ? of ?things. We want to consciously take ourselves in the opposite direction of entropy and don't know how. "We want to be bigger than the things that happen to us and can't do it." I texted my friend everything I do is about "mystifying or eroticizing the approach of death which is destruction or the banal and always unconscious." I'm embarrassed reading it back now, but lucidity possessed me and had meant it, even though I couldn't describe it well (the banal?). I just wanted to arrange something comprehensive of what I imagined if not what I believed and what I couldn't and can't logically reason. Omitting it would be dishonest beyond personal obfuscations. I sent that text while my mom was getting her teeth looked at and left the holding room.

Outside was exactly what I mean by summer. August is about the distance between blue storm clouds. Standing in a bright pane of light from the side, and all above me only rolling sheets, atmospheric stratifications once revealed folding inwards. The second story above the dentists' office I don't know maybe someone lived or worked, a propped window proof of life to let in the breeze. A picture taken with less saturation would be a disservice, and as if to prove it, a bright red car rolled to the curb before me. I made space and leaned against the minivan. Watched the patchy concrete below me morph. It had to be that spot that far; too long or near and the world became stable again. How to balance on that edge of clean focus without sullying it with sweat. Nor could it really be entirely unconscious. But I thought it had to be at most 49.99% consciously directed--there has to be the wiggle room for reality to vibrate or collapse.

Back in the car, I was ready to go home. My mom helped me realize my hunger. Were we close to our favorite place? The same Chinese restaurant our family has frequented for over a decade (the owners came to recognize her as teacher). We went that way but stopped at tjmaxx first. I was chatting with my mom about I don't know what. I was still not feeling tired. I got a shirt my mom called too short and a mug she called too ugly. I also helped her look for a yoga mat (she had mistakenly bought a yoga BAG online for 28 whole American dollars and hadn't thought to return it, but to produce a matching set) and helped her away from the allure of spiritually temu clothing. The interior mirrors revealed the aging of everything-at-once. I was sad to discover the clearance books section had been replaced with packets of pimple patches. But also, I was breaking out. In retrospect, I should have grabbed one. Instead we were already in the line and I was picking out a mug.

By now I don't feel high. I must have peaked around hour 2--that was the most excessive and closest to the brink. Afterwards is only the fist unclenching and wobbling and the mind set loose. We ate, and ate well, stopping when we were only a little overfull. My mom was gifted a dessert to take home (wink wink, for your continued patronage) and we packed up the hot meals I held at my feet with the rolled-up yoga mat and the mug between my legs and the short tee (pink horses galloping, XS, cropped) on the divider. She drove us home.

There is more to say but now I am too tired to say it. There was more I was thinking, too, about the Nature of Things, and how flickery but it is.. within a stable-ish outline? Each slice is at least an internally transparent photocopy. Maybe I'll finish this later, or maybe it'll remain a catalog of what I felt this exact moment before I take a nap. But I'll say this, I felt good. Of course, but I mean. I'm glad I went to the dentist. I can't imagine the day in a better arrangement. When we came out of the tjmaxx towards the car, spots of pinkpricks of rain flicked my arms and my mom hummed along to a song from back (her) home that sounded like: sunny potatoes: endlessly hilarious to some version of me. You cannot return from whence you came (what a funny word) as every moment of learning or choice is becoming a different universe and I should want to realize there's nothing to go back to but a narrower self in a narrower world. There is work to be done for this to be true. I hope this clarity remains and I believe what I know now. How could I not know, and realize from an alien inhabiting my brain. Rolling water off the back is not a rewarding practice at this stage boy. They teach you to float and swim, but first they throw you in.

Edited: In the dream of my nap. And after I woke up from my nap for precision and redundancy. I don't know if the clearheadedness is a placebo but I'll try to keep it going. Finally, snippets of poems I liked lately that I want to keep.

Two of Philippe Jaccottet's,
Night is a vast city fast asleep
with wind blowing . . . that has come from far to
this bed's asylum. It's midnight in June.
You sleep, I'm drawn out upon these infinite shores,
wind shaking the nut tree. The call comes
approaches and recedes, you would swear
a gleam escaping through woods, or even
shades wheeling about, as fabled, in hells.
(This call of a summer night, how many things
I could say of it, and of your eyes. . . .) But it's
only a screech-owl calling us from deep
within these suburban woods. Already our odor
is that of something decaying at daybreak,
already under our hot skins the bone stabs,
while the stars sink at the corners of streets.
where pigeons in the air beat their wings:
you who are caressed where hair is born. . . .

But under the fingers deceived by distance,
the gentle sun snaps like straw.
And two of David Berman's.
I am trying to get at something
and I want to talk very plainly to you
so that we are both comforted by the honesty.
You see, there is a window by my desk
I stare out when I’m stuck,
though the outdoors has rarely inspired me to write
and I don’t know why I keep staring at it.
My childhood hasn’t made good material either,
mostly being a mulch of white minutes
with a few stand out moments:
popping tar bubbles on the driveway in the summer,
a certain amount of pride at school
everytime they called it “our sun,”
and playing football when the only play
was “go out long” are what stand out now.
If squeezed for more information
I can remember old clock radios
with flipping metal numbers
and an entree called Surf and Turf.
As a way of getting in touch with my origins,
every night I set the alarm clock
for the time I was born, so that waking up
becomes a historical reenactment
and the first thing I do
is take a reading of the day
and try to flow with it,
like when you’re riding a mechanical bull
and you strain to learn the pattern quickly
so you don’t inadvertently resist it.
and if you wake up thinking "feeling is a skill now"
or "even this glass of water seems complicated now"
and a phrase from a men's magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,

anti-showmanship, anti-showmanship, anti-showmanship.

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--sprung out of bed thinking about you today! Thinking about us, and how easy it has been for you to let me go. But trust me when I say, I wasn't at all hurt. What remains of what remains could break skin? polished pain haven't I already perfected, til all the sharp edges got sanded down, dumb and numb. Instead I put on the song that rung out overhead in the CD store in Washington state, as you took me round to all the counters and I stood by your side like your prom date.

I don't want to be your boyfriend, but prom date is OK. If I knew you when we were sixteen we would have rushed with Pitchforks at the Man. I would say heart, but my heart's not true : I hope you never see the kind of person I am. You talk about everyone you've ever left the same way. I hope if you kill yourself, you choose to call me first. I want to be your emergency contact or at least worth fifty cents. Is it enough to breathe in the same odd air. It was enough, your shape pressed fuzzy and irrational the root of my migraine supporting my skull. The axis of my skull. I hope it's enough to know you're out there. Sincerely, sincerely.

Enough of words I'll never say; that is, my reality out of your jurisdiction. How about something we both know? Seattle, Vancouver, Vancouver to Vancouver. A teal door like a portal to your room. The smell of your apartment was a supermarket a zebra crossing away from mine. Do you still register your dad's guitar and the TV humming from the other side of your closet? I don't think your parents very much liked China, despite the batch of fortune cookies on your kitchen island (every slip read: TRY AGAIN). Still, I liked your mom. If I could learn your language just to access her half of your dreams. (Yours are supernatural and annihilating; mine are lame, dispensed in self-reinforcing bouts of deja vu.) Unlike Past Lives, we've had little to owe the clemency of fate. You just make it so easy to keep pace. awfully busy looking behind and not beside you.

After you cried and I could not find my tears. I had my legs crossed underneath me on the mattress, and it felt so delicate... I'm vague about what I mean, but... you get "it," right? I really considered asking. Should we just kiss? Just to get it out of the way. I didn't. By then we weren't in Oakland.

I'm of the mountains, you're of the sea. And you've got land legs and that's why. I carried your bags up and down the border of the sun. I leaned against the fountain smoking a cigarette--men coming off their lunch breaks nodded at me with totally foreign grins. You, docked and anchored in wait. So adult.

Between the two of us we imagined white minivans and you'd be a great father. We'd get married for the tax benefits. At 30, I'll remember, should you still feel the same. We could elope somewhere not-Seattle, with sturdier eaves. You were embarrassed by Vancouver--tall and metallic and somehow green. Would we move back to California? Or Philadelphia. You know? The city of brotherly love.

Music retrieves us, dance debilitates us, fiction chases us away. Like that? I tried my hand at someone else. I read this book lately, Suicide. Yeah, that was the name. Edouard... something. I put on the same song he walked in on his friend listening to (to overhear is perverse). In the Court of the Crimson King -- I talk to the wind. But when I listen to music I give it my all. I mean, so then I didn't read.

I went on a stroll. I went for a smoke. Said a tinned voice on my phone Let's go to the northern part of the country and travel to other cities. Metal glows at night. Taking for granted

A teal door:

North, Vancouver. was the first time you got high. far from mine. And hardly my favorite way to change my mind, but everyone starts with edibles: like, man. I was sixteen in a basement and a girl threw up holding the mini-fridge as a suitcase the whole night. I was shaking out of my fucking skin but my best friend was worse. Kept begging me to tell her that everything was gonna be okay. I did, OK OK OK until I was just making my mouth make the shape, oh and the hissing air from the middle lane of my tongue. We had a better time, didn't we? You slept over on my mattress. We listened to music separately, simultaneously; disbelieving that the song was ever gonna end. Endless quick and dirty, shattering of hi-hats, sheets of sound like thin panes of rain, crashing. In the eye of the storm.

I only felt this way twice in my life. Once, Midwest jazz put me in a trance. And, May of this year, I had taken shrooms and gas station candy together in the bathroom of the concert. Peaking, peaked, passed out. When we're not together, my chest is under less strain. Sometimes you frustrate me so much I can't breathe. But it's so much more boring... so without language. Come back soon, won't you? I may seem callous, but you know, you're the only person I can look in the eyes and say I love.
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lowering into the subway, the cupped fist of the tunnel recovered my breath: Away the screaming sun of hotter than hell above-trend Great Again DC, and away the missed step of nostalgia from being back before her bisexual mirror dilating time--myself, seventeen, six pm light, near enough that the last year felt recalled with less vivacity than a nice long dream

Awaiting thrust of wind. New sticky sliding stiles I decided to scrape out some change. In the cupped fist In the tunnel

In 2019 I was a stranger downtown and came to the station with more roller wheels than feet
In red-yellow-green line stop its rectangular panels patched the arc of the walls and left no gutters. Not like this place I last visited when I was regularly tricking out my claims (two summers ago, that sluggish belligerent pain). Had anyone else been since? Literally. No tourists came to see the country's tallest escalator--though they all would have been equally endless and lethal if you were stupid enough to get on with wobbling knees. Once in an airport I watched a man fall and each suitcase toppling, down the rising stairs like dominoes... I can't remember who got hurt, so feel free not to laugh before I return to the staying game:

same vertigo, same disuse, same crumbling crack in the concrete like a crevasse kissing canvas: streaks of soot from what: snuffed out smoke? I watched it again but it had changed. It was beautiful to me, a pleased startle blooming from the center of my brain, beauty like the first bout of inebriated laughter, beauty before I knew what it meant and (cont'd) in 2019 I told my painter sister I didn't understand abstract art, what beauty was to be found and made. Then and now I couldn't get anyone to agree. In retrospect...

...suffice it to say the more I learn about the world the more difficult it is to please me or allow myself to be pleased by beseeching feeble and forgotten sentiments, logical sleight of hand. What surprises me is what brings me pleasure and "where the action is" (Goffman can cough about character in circles, another woman is my god)

this is an optimistic self, a strange state of the state address, that fear notwithstanding and uniform paralysis, about a reorienting internal order of affairs : cats cradle passed around to another string figure. it is a tapestry titled WOW! and in it I am smiling.. somewhere out of sight are lines collapsing I worry about too early to create or after they've frayed

I don't feel love in my heart how autonomous sensory tingles lodge between my vertebrae. I hope no doctors are reading this and I hope none of my friends. If you are, my friend, believe something else or suspend it as they say. An ambiguous belief is just a hunch, a real belief is just to fall in love, giving oneself away with a declaration of faith.

I want the real thing, not the archetype of the thing, not the thing you tell me when you don't want to tell me what you mean
I don't want the real thing, I want the meaning, I want what is above me what you won't have me take

I've no lack of hubris but I never said I was smart. There are only those who can speak and more often than not I can't find any words at all (not even: Meanwhile). The world is shortchanged knowledge so inflated with language and certainty; that's what I mean by, I learn. I'm seduced by the idea of it--I love the possibility more than its realization, that is regular and then gone--its functionality and not its use.

Will an addendum undercut my meaning or digest whatever meaning has stumbled by, poor thing? Maybe we were both fools and composites of original sin Breathing inall that fine dust.. but what we are is what we do. "for" one other is a clause I can't claim.
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On the anniversary of what is probably two years from the start of a pretty bad period of my life (in a global sense, not uniquely bad--just the eighteen year old sort), I want to take a look back at what was I writing. Sometimes I can guess the trajectory for these kinds of retrospectives, confirmation of a probable arc of motion, or else not at all : inductive or deductive reasoning? Which is more or less reliable, in any case, taking into account the weather. All this to say I think I just have to try. For someone who spends so much time needlessly rearranging whatever whatevers in my mind, I'm awful at forming mental representations of (probabilities of) possibilities (that is, fullscale images of cause and effect).

I write almost everything in my notes app on my computer (around 1k notes for 3-4ish years). Two years ago I didn't really write for any reason other than to remember an event or my feelings around it. It's not much different from now, but at least I'm able to collate earlier entries around discrete happenings with reasons to exist aside from self-indulgence. When I blew up a friendship because of my drinking: "I’m only writing this in the first place because its something that she would do." I don't think it felt good yet just to put something down. Even now I would say I'm not a born writer in the sense that for me words are not ends in themselves--but the distance between them and what I'm getting at with them has changed. The tool has become more fully integrated. Something like that. Writing is comfortable for me now, I can easily fall asleep inside of it: Not really a good thing!

At seventeen emotions were not shy about being loud but I was so poor at making what I said mean like what it was in my head. Still, I think I was better at getting "something" across. I didn't compromise being direct. I wrote: "When the smoke pressed my lungs inward I knew I had done it right cause of the sick feeling." That was the spring my friend came back from abroad and we took ourselves to the liqour store that didn't card for a box of cigarettes. She was so nervous she told them she was 18 instead of 21; I had to go back separately and fork over twenty bucks of my lunch money. We went back around the alley and there was a church--I remember this, two parking spots for the pastor and his wife--where she taught me and my other friend how to do it. We didn't even know to tap the filter so the ash grew until it curled back around and pointed at us. Well, until she laughed--we probably wouldn't have ever figured it out on our own.

This is also around the last time I remember really liking someone, the lead in that year's musical: "Always a sliver of light through the dark silhouette / Your cut out shape from the wings / You never looked my way." I gave myself away pretty easily. "To grasp the shape of your laugh." With such excessive sentimentality and such stereotyped language. Then again, I can't really say I've gotten much better in that regard.

I want to trade with that guy for a moment to see what they would do in this life. "The week after I quit drinking, it rained, like the sky was trying to flush out a fever. I felt like I wanted to cry. I wanted my best friend back. I wanted a drink. How did I come to this?"

It's not so bad, now. I got my friend but I've lost track of the losses. In general, I have a suspicion that I don't know the full extent of all the things I've passively chosen to give up on. Assess the damage.

My emotions now are faltering and communication is a separate matter. I stopped writing as much for class, which might mean I've stopped writing towards a thesis. Recently, someone said my writing made them realize they were worse at English than they thought. I didn't know how to react to that. Sorry, I think. On the other hand, looking back, it seems like most of the personal writing I did was related to school assignments or college applications (not remotely honest), and regarding that which I hadn't yet admitted to myself--of course there's nothing to find? I kind of thought or hoped there would be (I tend to forget what I write after I write it, because writing "it" is how I make it leave my conscious direction). But it's only been a year or two. I just remember feeling different. I don't know.

What have I learned? I've bunted the ball. More frustrated having written out this half-entry than if I did anything else. That's how it usually goes, but this is worse than usual because I made an effort to keep my tone level and dry. So it's like that, tough, gamey, like I already want to give up mid-chew. I'm annoyed that in every single instant I feel like a wholly new self whose prior experiences have no practical application to my circumstances now. At the same time what is inside of me has remained largely unchanged, with some bells and whistles, so what I learn is what I already know. I tend to make the same mistakes. But I've really pushed them past the point of active returns now.

Not sure if I'll feel better if I post this or not. Just took a walk, a bad walk, with my words, so genuinely inefficient if it weren't 11 at night I'd go on a run to get the rest out. You win some, you lose some. Isn't that right.
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Or, 10 things that might have happened in Toronto

  1. Tree trunks sleeved and split half open, bark like chapped lips kissing the air.
  2. I wore my boots and smelled damp earth but I never saw the rain fall.
  3. They say if you see first snow with a lover you'll be in love.
  4. I don't want to be in love.
  5. Want to be reanimated.
  6. Shatter the glass plane of potentialities, cement seal fractal splinters of every possibility until there's no space for anything but certainty.
  7. For four days I snuffed smokes out at the soles of my shoes.
  8. Their scar swung in a blunt circle between the soft arc of flesh pinching their thumb and palm.
  9. Really, no, and it wasn't a lie: That was my friend.
  10. I will never forget this feeling until the minute I die.

[1] got cold when we got there the sky was making space for our heat

[7] like a boy

[8] romantic to think of such a rune on the square of my back between the footsteps of my spine

[10] or did
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Last week, I got back to college after a month long break. But it felt like I had been away for longer than that. At the train station, there were groups of kids like me waiting out the snow, the bus lines that were all delayed. Their suitcases and their laughter. They were like me.

I checked my phone a couple times on the train, and again, seeing that the last bus back to campus would be arriving soon. Five pm, and after that, nothing til morning. I could've waited. I was going to, but in the chamber of the station I thought I saw someone I knew, and I felt ashamed, the same feeling of dread of those recurring naked in public nightmares. The cruelest part about those dreams was that none of the characters ever reacted. They only watched with their impassive faces, eyes dark and depthless, and let me run around their lives. When I bumped into them at doorways, they stopped long enough to say, sorry.

I'd rather be forgotten than ignored. I pulled on my gloves and entered the snow. The walk back was two and some miles but sloped uphill. That was fine, I'd made it through worse, and my blood had always run hot. During the height of my obsession with my body, I'd once trekked over three miles to go to a classmate's party. It was bright and sweaty late May, and he was rich, lived in a nice house that looked like it could be on Architectural Digest or a real estate magazine you'd pass by in the supermarket. Well, I could've guessed that, but at the time, I still didn't know it. I trudged through Rock Creek Park with my shirt off, bare skin and binder chafing against my backpack, a proper hike. I listened to Long Seasons by the Fishmans three times. Halfway through the third time, maps told me I was near, but I didn't see anything resembling houses yet. Then, in that last half mile, they revealed themselves to me: gleaming glass paneling, big blue pools with water so clear and clean it might've been safe to drink, long driveways and dark (dark) wood. Before long I reached my destination. I knew it was the one because I heard the music from the backyard. Songs I couldn't sing along to. I couldn't make myself move. If someone walked out right now, and saw me standing all alone like that, they could've called the cops on me and have been right to. I sweated. The Fishmans were no longer with me. I didn't know if my friends, my two friends in the whole city, were inside. I was at their mercy.

Eventually, a boy I at least recognized climbed out of an Uber and began heading towards the backyard. He was coming back from an internship at the Capitol and wore those same starched suits. He knew he was supposed to be here. He probably knew every damn thing that was going to happen in his life for the next sixty years. I followed him, and I remember the look he gave me then, like he was startled. Disgusted. But he said nothing and let me pass him by.

The party itself was unmemorable. But I'll never forget how much I wanted it, back then, for my body to be exhausted and punished, and to be near people, to be loved. They were really similar things.

In January, I remembered my motivations, and considered the ways in which I really hadn't changed. I loosened my grip on my suitcase to take off my gloves and switch hands. I was starting to sweat again, so I felt the snow wouldn't hurt me. After all, the snow here was nothing like DC's slate-gray sleet: big, fluffy picturesque flakes, like the paper snow they made for movies. Strange, I felt an urge to stick my tongue out and catch one. Though I was no Californian. I grew up sledding, testing the thickness of ice on ponds, misjudging, and trawling back into my house with wet clothes. Still, my senses muted as they were, I let myself make the mundane into mystical, if only to entertain.

I put my head down and kept moving. The wind whistled in my ears, a singular tone. I thought even if there was someone with me, I wouldn't have managed to speak. I was too winded and my voice was too weak. I avoided all eyes and arms and felt bad. Something inside of me had crawled away and rolled all up. I always hated my soft belly.

The fog on my glasses. The squat storefronts. The sparse slants of light from the old street lamps. Felt like I'd been walking through a snowglobe in Target, a fake little town. But I saw real people, too. I smelled their smoke. Residents, who belonged here. The suitcase I dragged through the heavy snowfall scored two deep lines along the mass of footprints. I felt sorry. Sorry for intruding.

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